An analysis of the film “Los Olvidados” which examines the lives of Mexico’s street children.
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A discussion on the story telling in “Star Wars” and on various aspects of fairy tales.
Five short essays on elements of popular culture. The first discusses popular culture generally. The second examines cultural conflict. The final three discuss aspects of the use of the reflexive mode in literature and film.
This essay examines themes such as marriage and voyeurism in Alfred Hitchcock’s films Rear Window and The Birds.
Covers the genesis and afterlife of the 1982 film, The Thing, directed by John Carpenter.
Compares films’ depictions of West, values, gunfighting, 19th Cent. town life, directors’ messages & styles. My Darling Clementine ( John Ford ) & High Noon ( Fred Zinnemann )
This is a historical film review of the movie made about the Irish revolutionary’s life.
A personal comparison between two movies regarding the horrors of WWII and how they are similar while being very different.
The following paper is a critical analysis of Sam Mendes’ ‘American Beauty’, a cinematic portrayal of suburbanite squalor.
A paper exploring the meaning of the term “science fiction” and various literary works and films which have impacted readers and viewers.
Explores themes, intentions, responses to rise & fall of Hitler & Holocaust in “House of Rothschild” (1934), “Great Dictator” (1940), “Crossfire” (1947) & others.
This paper examines how courtroom scenes in movies have an effect on true jury selections.
A study of the life of the great Hollywood actress Audrey Hepburn.
The purpose of this paper is to introduce and discuss the two Western films, “Shane,” made in 1953 and directed by George Stevens, and “Unforgiven,” made in 1992 and directed by Clint Eastwood.
A comparison and analysis of the two movies, “Gladiator” (directed by Ridley Scott) and “Braveheart” (directed by Mel Gibson).
Examines 1990 TV docudrama’s portrayal of life, politics, ethics, law, human rights under dictatorship in Paraguay.
This paper compares the gangster film, “Goodfellas,” to the Godfather Trilogy.
An in-depth study of the love relationships in the films of Alfred Hitchcock.
Style, images, suspense, characters, plot, symbolism and use of time in the 1958 film.
Analyzes racial themes & messages of 1989 film in context of Bell Hooks’ sociopsychological theory of the Other.
Compares 1995 films’ qualities, popularity, effectiveness, subject matter and sociohistorical significance.
This paper shows how Chris Marker replicates the initiation, retrieval and control of memory through the structure of his film, La Jetee.
The paper states that even though the work of William Shakespeare is more than 400 years old, he still is a major box office draw.
A paper which introduces and discusses the work of director Douglas Sirk, specifically the film, ?Imitation of Life.?
This paper looks at the depiction of women in the film making industry.
An overview of how the Hollywood Ten and the McCarthy Hearings helped create Film Noir.
A study on the cinematography in the classic movie “Citizen Kane.”
Analyzes addictive behavior of mob attorney Dave Kleinfield & therapeutic options in 1993 film.
A discussion on how the American Cinema has succeeded in depicting the realities in the present-day America focusing on director Martin Scorsese’s slow burn style in ‘The Color of Money.’
Theft of copyrighted entertainment material. Looks at methods, bootlegging, copyright history, limitations, fair use & parody, court decisions, international issues, GATT and case study of China’s infringements.
An analysis of one frame in the film followed by a discussion of the central theme of the movie in relation to the selected frame.
Cynicism, femme fatales, violence, love & sex in “Witness for the Prosecution”,”[Double Indemnity” & “Sunset Boulevard”.
A review of the use of symbolism and imagery in the film “Fight Club”, an analysis of style and technique.
This paper analyzes the movie “Space Cowboys” from the point of view of two theories – semiotics and ideology.
Examines modernist philosophy & devices & their application in “Who’s Afraid of Virginia Woolf?, Dr. Strangelove & Midnight Cowboy.
A report which analyzes Robin William’s fictional character (Parry) from the movie, The Fisher King.
Examines 1993 Chinese film’s story, characters, reflection of Chinese history & culture.
Reviews 1996 film’s portrayal of social & personal dangers of watching too much TV.
This essay analyzes two French films, and discusses how they mirror the social rifts in modern France.
The following essay critically analyzes the film, Don’t Say a Word paying particular attention to Michael Douglas’ role in the film.